Thomas Crow, Rosalie Solow Professor of Modern Art at New York University, examines the displaced and wandering existences of Jacques-Louis David and Théodore Géricault, both in geographical and psychological exile, during which each was forced to reexamine and reconfigure the fundamentals of his artistic life. The lecture is the third in the series of talks under the theme of “Restoration as Event and Idea: Art in Europe, 1814–1820” which is part of the sixty-fourth A.W. Mellon Lectures in the Fine Arts at the National Gallery of Art.
