Ideas

The role of reproductions in facilitating the study of the ancient Mediterranean has long been recognized at IAS. Upon his appointment as the Institute’s first professor of Greek epigraphy in 1935, Benjamin D. Meritt petitioned then-Director Abraham...

Verena Krebs is an award-winning medieval historian working on Christian Ethiopia and the Horn of Africa. She draws on archaeology, art, and written sources for her scholarship. At IAS, Krebs will work on her second monograph, “Africa Collecting Europe: Patronage and Power in Christian Ethiopia, 1468–1530", which will tease out an untold story about the assertion of power in a pre-colonial African kingdom.

Animating the Antique: Sculptural Encounter in the Age of Aesthetic Theory, a pioneering work of eighteenth and nineteenth century art history, has been published by Penn State University Press. Sarah Betzer, a Member and former Visitor (2014–15, 2016) in the School of Historical Studies, wrote the book during her time at the Institute, culminating in the groundbreaking and widely-acclaimed text that spans a century-and-a-half and offers new account of the distinctively modern allure of the antique.

Pinakia, here shown as casts made of Plaster of Paris, were small bronze plates used in ancient Athens for the process of democratically selecting a group of citizens to serve on a jury. Athenian citizens would nominate themselves for jury duty, volunteering their bronze plates to be inserted into a kleroterion (a machine with rows of slots and a built-in lottery system).

Past Visitor (2015–21) Karina Urbach’s book Alice’s Book: How the Nazis Stole My Grandmother’s Cookbook, originally published in German to wide acclaim,has been published in English, with a translation by Jamie Bulloch. 

Patrick Geary is co-PI of the European Research Council funded research project HistoGenes, which uses a combination of genomic, archaeological, anthropological, and historical methods to study over six-thousand burial sites in the Carpathian Basin between the fifth and tenth centuries.

In this Scholar Spotlight we feature Douglas Flowe who is a Member in the School of Historical Studies. He discusses his work on incarceration and the influences he had in life to follow this path.

Historian Jérémie Foa offers a very unique view of the 1572 massacres in his work entitled Tous ceux qui tombent: visages du massacre de la Saint–Barthélemy [All that fall: faces of the St. Bartholomew's day massacre]. He exhumes the “small lives” that were taken by reconstituting history in minute detail and honoring the names of the anonymous victims.

The new Rubenstein Commons building at the Institute for Advanced Study, designed by Steven Holl Architects, stands in stark contrast to the explicitly functionalist forms of other modern buildings on campus: the Member housing, designed by Marcel Breuer, or even the welcoming but austere (what’s known as “brutalist”) spaces of the dining hall, designed by Robert Geddes.

Yve-Alain Bois, Professor in the School of Historical Studies, has completed volume two of his catalogue raisonné of American painter Ellsworth Kelly. Working with the artist’s estate, Bois has produced a thorough catalogue of the artist’s paintings, sculptures, and reliefs between the years 1954 and 1958, including high-quality reproductions of the art, history of ownership and exhibition, and bibliographic notes.